Aleksandar Bezinovic

Aleksandar Bezinovic

The figure of the circle constitutes the starting point of the artistic process, going from the known to the unknown. He uses simple, geometric shapes and ancestral, which he punctuates with a palette of reduced colors, rich in contrasts and erosion, where the vibrations of time are expressed with modernity.

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Aleksandar Bezinovic is an abstract painter born on May 16, 1975 in Split, Croatia. He was graduated in painting from the Academy of Fine Arts in Zagreb in 1998. His work is influenced by geometry, ancient Greek pottery painting, pre-Romanic and Byzantine art and architecture, typography and calligraphy.

Geometric shapes, multi-layered textures, repetitiveness, interlacing, Aleksandar plays with the changes of positions of the form and the constant movement of the rhythm in the whole, he suggests the variability and temporality of reality, between creation and destruction. The set of created forms is much more than the sum of the elements. Aleksandar always begins a painting with the circle, his basic unit, he goes from the known to the unknown, simple shapes that he punctuates, a reduced palette, the absence of illusion, strong contrasts for an elusive complexity where the only illusion that the artist allows is that of the passage of time and corrosive changes on the surface of the painting.

Latest exhibitions :

- 2018, Gallery Center Varazdin, Croatie

- 2015, Biennale des arts visuels contemporains de Split, Croatie

- 2014, Handwerkskammer de Cologne, Allemagne

- 2014, Galerie Greta à Zagreb, Croatie

  • Aleksandar Bezinovic is an abstract painter born on May 16, 1975 in Split, Croatia. He graduated in painting from the Academy of Fine Arts in Zagreb in 1998. His work is influenced by geometry, ancient Greek pottery painting, pre-Romanic and Byzantine art and architecture, typography and calligraphy.

    Geometric shapes, multi-layered textures, repetitiveness, interlacing, Aleksandar plays with the changes of positions of the form and the constant movement of the rhythm in the whole, he suggests the variability and temporality of reality, between creation and destruction. The set of created forms is much more than the sum of the elements. Aleksandar always begins a painting with the circle, his basic unit, he goes from the known to the unknown, simple shapes that he punctuates, a reduced palette, the absence of illusion, strong contrasts for an elusive complexity where the only illusion that the artist allows is that of the passage of time and corrosive changes on the surface of the painting.

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